Photo by Fay Fox

Photo by Fay Fox


The Konwitschny La traviata is back, and Corinne's Violetta was a hit at Seattle Opera!

"Winters is theatrically and vocally the ideal fit. An intensely compelling presence, Winters’ Violetta is by turns angry, vulnerable, and gritty."

"Winters ranges convincingly from sharp and fiery to meek and broken as bodily illness and social rejection catch up with her."
The Stranger

"Winters is an especially compelling Violetta. She is a talented actor as well as singer, alternating power with subtlety; her performance of Violetta’s final aria was especially touching, as heartbreaking as any I have ever seen."
Seattle Post-Intelligencer

"On the plus side, there’s the singing, chiefly that of Corinne Winters in the title role. She is a beautiful and fearless Violetta, capable of both power and subtlety."
Seattle Times

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Corinne recently made her Royal Opera House Covent Garden debut. See her backstage video and read what critics said about her Fiordiligi in the new production of Così fan tutte:

"Warmth, real character and not a hint of wobble: 'Come scoglio' (Like a rock) applied rather more correctly to Winters’ singing technique than to Fiordiligi’s constancy."

"Winters sings a Fiordiligi of rare range and beauty, with surprisingly strong mezzo notes as well as a radiant upper range."
What's On Stage

"Così is nothing if not an ensemble piece, and this cast is unusually well-matched vocally. Even so, there are standouts in Behle’s volatile Ferrando and in the sheer spirit with which Corinne Winters’s by that point almost suicidally troubled Fiordiligi attacks every note of Per Pietà."
The Guardian

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Corinne's debut as Desdemona in Opera Vlaanderen's Otello earned raves:

"In Corinne Winters, Michael Thalheimer has found a stunning, intense and heartbreaking Desdemona..."
Klara Classical Radio

"In all that lusciousness a sublime Corinne Winters, in her role debut as Desdemona, is the bright light..."
Concert News

"With a creamy timbre and a clear underlying gravity, Winters delivers an enveloping Desdemona, fascinating with superbly controlled fil di voce."

"The Audrey Hepburn-esque Desdemona of Corinne Winters is just as strong vocally, but with grace and nuance."
La Libre

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Corinne's first album, Canción amorosa, has been released! Operatic superstar Joyce DiDonato says:

“This CD is a triple threat: sublime, beautiful songs, exquisite singing, masterful playing. Corinne Winters is one of America’s premier new voices, and in Steve Blier she has the collaborator of one’s dreams.”

Order the CD
Download the digital album

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Corinne starred as Mélisande in Dmitri Tcherniakov's new production of Debussy's Pelléas et Mélisande at Opernhaus ZürichOper Aktuell praises her as "an ideal candidate for this traumatized, enigmatic being" while Deutschlandradio Kultur writes, "Winters exudes the fascination of a very exceptional woman in every moment." 


Corinne talks to Opera News about why she loves Tchaikovsky heroines, discovering new things in repeat roles, how veering off the standard path enriches her artistry, and what it's like to coach Violetta with the legendary Diana Soviero.

Corinne talks with Elaine Reyes of CCTV's Americas Now about La bohème at Washington National Opera, her debut album Canción amorosa, and singing in Mandarin in Santa Fe Opera's Dr. Sun Yat-sen.



Corinne makes her Theater Basel debut in her signature role of Violetta in a new Daniel Kramer production of La traviata.

Corinne joins Gianandrea Noseda and the National Symphony Orchestra for Dallapiccola's Partita.