Corinne's just made her Royal Opera House Covent Garden debut! See her backstage video and read what critics said about her Fiordiligi in the new production of Così fan tutte:

"Warmth, real character and not a hint of wobble: 'Come scoglio' (Like a rock) applied rather more correctly to Winters’ singing technique than to Fiordiligi’s constancy."

"Winters sings a Fiordiligi of rare range and beauty, with surprisingly strong mezzo notes as well as a radiant upper range."
What's On Stage

"Così is nothing if not an ensemble piece, and this cast is unusually well-matched vocally. Even so, there are standouts in Behle’s volatile Ferrando and in the sheer spirit with which Corinne Winters’s by that point almost suicidally troubled Fiordiligi attacks every note of Per Pietà."
The Guardian

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Corinne made a splash in her Opernhaus Zürich debut as Mélisande in a new Dmitri Tcherniakov production of Pelléas et Mélisande.

"Winters is an ideal candidate for this traumatized, enigmatic being. Her direct and wonderfully easy and appealing soprano captivates with its evenness, with force or pale fragility according to the mood."
Oper Aktuell

"Winters exudes the fascination of a very exceptional woman in every moment."
Deutschlandradio Kultur

"Winters possesses in her clear voice a fine range of colorations that reflect her emotional state of mind. Once dreamy, delicate, velvety, then again disappointed, almost shouting, but never abandoning either the vocal tone or seeming true."
Der Neue Merker

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Corinne's debut as Desdemona in Opera Vlaanderen's Otello has earned raves:

"In Corinne Winters, Michael Thalheimer has found a stunning, intense and heartbreaking Desdemona..."
Klara Classical Radio

"In all that lusciousness a sublime Corinne Winters, in her role debut as Desdemona, is the bright light..."
Concert News

"With a creamy timbre and a clear underlying gravity, Winters delivers an enveloping Desdemona, fascinating with superbly controlled fil di voce."

"The Audrey Hepburn-esque Desdemona of Corinne Winters is just as strong vocally, but with grace and nuance."
La Libre

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Corinne's first album, Canción amorosa, has been released! Operatic superstar Joyce DiDonato says:

“This CD is a triple threat: sublime, beautiful songs, exquisite singing, masterful playing. Corinne Winters is one of America’s premier new voices, and in Steve Blier she has the collaborator of one’s dreams.”

Order the CD
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Corinne stars as Mélisande in the new Dmitri Tcherniakov production of Debussy's Pelléas et Mélisande at Opernhaus ZürichOper Aktuell praises her as "an ideal candidate for this traumatized, enigmatic being" while Deutschlandradio Kultur writes, "Winters exudes the fascination of a very exceptional woman in every moment." 


Corinne talks to Opera News about why she loves Tchaikovsky heroines, discovering new things in repeat roles, how veering off the standard path enriches her artistry, and what it's like to coach Violetta with the legendary Diana Soviero.

Corinne talks with Elaine Reyes of CCTV's Americas Now about La bohème at Washington National Opera, her debut album Canción amorosa, and singing in Mandarin in Santa Fe Opera's Dr. Sun Yat-sen.


Corinne makes her Seattle Opera debut in her signature role of Violetta, in the Peter Konwitschny La traviata that catapulted her onto the international operatic stage.

Corinne immediately returns to Seattle Opera to make her role debut as the title character in Janacek's Katya Kabanova.

Corinne makes her San Diego Opera debut as Violetta in a Marta Domingo 20s-era La traviata.