Seattle Opera, 2017
An intensely compelling presence, Winters’ Violetta is by turns angry, vulnerable, and gritty...
Royal Opera House Covent Garden, 2016
Warmth, real character and not a hint of wobble: “Come scoglio” (Like a rock) applied rather more correctly to Winters’ singing technique than to Fiordiligi’s constancy.
City of Birmingham Symphony Orchestra, 2016
Deliciously phrased, Winters' Alice is the real deal, soaring in ensemble, sighing in mock adoration...
Opernhaus Zürich, 2016
Winters is an ideal candidate for this traumatized, enigmatic being. Her direct and wonderfully easy and appealing soprano captivates with its evenness, with force or pale fragility according to the mood.
Opera Vlaanderen, 2016
In all that darkness, the light of this performance is Corinne Winters, as a stunning, intense and heartbreaking Desdemona.