Fiordiligi, Così fan tutte

by Beth Stewart


Royal Opera House Covent Garden, 2016

Warmth, real character and not a hint of wobble: “Come scoglio” (Like a rock) applied rather more correctly to Winters’ singing technique than to Fiordiligi’s constancy.
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Alice, Falstaff

by Beth Stewart


City of Birmingham Symphony Orchestra, 2016 

Deliciously phrased, Winters' Alice is the real deal, soaring in ensemble, sighing in mock adoration...
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Mélisande, Pelléas et Mélisande

by Beth Stewart


Opernhaus Zürich, 2016

Winters is an ideal candidate for this traumatized, enigmatic being. Her direct and wonderfully easy and appealing soprano captivates with its evenness, with force or pale fragility according to the mood.
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Desdemona, Otello

by Beth Stewart


Opera Vlaanderen, 2016

In all that darkness, the light of this performance is Corinne Winters, as a stunning, intense and heartbreaking Desdemona.
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