Soprano Soloist, Verdi Requiem

by Beth Stewart


Monteverdi Choir & Orchestra, 2018

A very flexible voice, flawless, with an interesting timbre, well placed piano and forte singing that carried over the wave of the orchestra. Winters is currently one of the most famous Traviatas on the operatic stage and it was easy to hear why.

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Violetta, La traviata

by Beth Stewart


Opera Australia, 2018

This is a very contemporary Violetta – musically flawless but with a convincing and enshrouding self-possession that rises to meet the implicit tragedy with which Verdi, almost against the odds, transfigures melodrama into tragedy.

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Violetta, La traviata

by Beth Stewart


Theater Basel, 2017

No one could ask for more from the role: a Traviata who delivers glittering coloratura runs as well as intimate lyrical passages, extroverted self-expression, and bitterest pain with magnificent touching intensity.
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Violetta, La traviata

by Beth Stewart


San Diego Opera, 2017

Winters showed why she’s one of the world’s top interpreters of the role. Her voice is creamy, delicate and flexible in the coloratura role, but she also brings a raw authenticity to her acting.
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