Violetta, La traviata

by Beth Stewart


San Diego Opera, 2017

Winters showed why she’s one of the world’s top interpreters of the role. Her voice is creamy, delicate and flexible in the coloratura role, but she also brings a raw authenticity to her acting.
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Fiordiligi, Così fan tutte

by Beth Stewart


Royal Opera House Covent Garden, 2016

Warmth, real character and not a hint of wobble: “Come scoglio” (Like a rock) applied rather more correctly to Winters’ singing technique than to Fiordiligi’s constancy.
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Alice, Falstaff

by Beth Stewart


City of Birmingham Symphony Orchestra, 2016 

Deliciously phrased, Winters' Alice is the real deal, soaring in ensemble, sighing in mock adoration...
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