2015/16 Season Highlights

  • House debut at Opernhaus Zürich as Mélisande in new production of Pelléas et Mélisande directed by Dmitri Tcherniakov
  • Role debut as Desdemona in new production of Otello at Opera Vlaanderen
  • Role and orchestra debut as Alice Ford in Falstaff with City of Birmingham Symphony Orchestra, alongside Ambrogio Maestri in the title role
  • Role and orchestra debut as Fiordiligi in Così fan tutte with Accademia Nazionale di Santa Cecilia, under the baton of Semyon Bychkov
  • Role and orchestra debut as Liù in Turandot with the Simón Bolívar Youth Orchestra of Venezuela under Gustavo Dudamel
  • Return to English National Opera as Mimì in new Benedict Andrews production of La bohème

Biographical Info

  • Born in Frederick, Maryland, on March 24, 1983
  • Graduated from Frederick High School
  • Bachelor of Science in Music from Towson University
  • Master of Music in Vocal Performance from Peabody Conservatory
  • Artist Diploma from the Academy of Vocal Arts
  • Former Gerdine Young Artist at Opera Theatre of Saint Louis
  • Former Filene Young Artist at Wolf Trap Opera
  • After 8 years in Philadelphia, is now officially a London resident

Career Highlights

  • European debut as Violetta in the Konwitschny La traviata at English National Opera
  • Immediate reengagement as Teresa in Benvenuto Cellini, directed by Terry Gilliam
  • Santa Fe Opera debut as Soong Ching-ling in the American premiere of Dr. Sun Yat-sen
  • Hometown debut at Washington National Opera as Mimì in a new production of La bohème, conducted by Philippe Auguin
  • Has performed signature role of Violetta at five houses (English National Opera, Wolf Trap Opera, Opera Lyra Ottawa, Opera Hong Kong, Michigan Opera Theatre) with three more upcoming at major houses
  • Nominated for an International Opera Award in the Young Singer category
  • George London Award Winner
  • First Prize in the Licia Albanese-Puccini International Vocal Competition
  • Inaugural recipient of the Mabel Dorn Reeder prize, which funded the audition trip that led to her European debut and several other engagements

Critical Acclaim

  • "Corinne Winters delivered a performance of white-hot intensity and consummate control." BBC Music Magazine
  • "Winters, a striking brunette who manages to be simultaneously gamine and seductress, revealed an arresting, uniquely plum-colored soprano that could pass for mezzo in the middle but explodes with vibrant color on top." The New York Times
  • "Corinne Winters gives a performance of genius, with a wonderfully supple voice. Her 'Amami Alfredo' was the most heart-rending since Renata Scotto." The Spectator
  • "Ms. Winters is an outstanding actress as well as a singer of extraordinary grace and finesse." The New York Times
  • "In the soprano stratosphere populated by super divas with names like Renée Fleming and Anna Netrebko, Winters is simply a rock star. As Tatiana, her voice was so big and beautiful, with just a quiver of urgency to fit the mood and a warmth of vulnerability. The higher she climbed into the upper register, the quieter we became just to see if she could make it there. And boy, did she make it there. When she finished, slumping like a rag doll onto center stage, the audience erupted in an extended chorus of bravas." Arizona Daily Star


  • Blogs about health and wellness for artists and other frequent travelers at The Artisan Traveler
  • Loves fashion, especially supporting up-and-coming and local designers where she is performing
  • Ran her first 10k, the Hyde Park Race for Life, this fall in honor of her dear friend and fellow musician Ted's wife Rebecca
  • Has performed in four Sing for Siteman concerts for the Siteman Cancer Center at Barnes-Jewish Hospital in St. Louis
  • As a child, wrote award-winning articles and full-length novels